I had an amazing time painting in Paris. Getting out and painting in this old city, known for centuries of great art, connected me to so many of my heroes and gave me a chance to meet lots of tourists and locals. I cannot wait to go back – there are paintings there I still really want to make!!
They are displayed in the order I made them.
It was rainy and a national holiday, so all the museums were closed, so I bought some hyacinths from the nearby flower market and made a still life in the little apartment I was staying in with my aunt.
I love the Louvre so much, I must go back someday and paint the iconic entrance with the pyramid. When I first arrived, I shied away from making a painting that would be so direct, but after spending two weeks in Paris, where they really embrace beauty directly, I realized it’s just as affected to avoid beauty as it is to seek it exclusively. Best bet is always just paint what moves you. Be real, even if it lands you in a cliche.
Mid Morning looking sort of toward the east.
With a view of the Musee D’Orsay in the background 9 to the left of the statue is the tip of the museum, with it’s massive clock face peeking out a tiny bit behind the trees). I finally had a day where Paris had those impressionist clouds you see in paintings.
My local friend showed me this wonderful little park. Many paintings could be made here.
Here I am, nearing the end of my trip, embracing the obvious beauty and being happy about it. Archway to a view with a grand building? The more the merrier.
My last day painting in Paris, I was under the influence of the Corots I’d seen in the Louvre. I was also recreating the point of view of some impressionist paintings I’d seen.
I went to Paris for the first two weeks of May this year and my trip was entirely focused on studying art. I went to the Louvre six times – not nearly enough. I also visited the Orsay, Musee Bourdelle, Montmartre, saw Velasquez show at the Grand Palais, popped into the Musee Carnavalet and I know I missed a PILE of other great stuff.
I documented my trip in paintings and drawings. Most of these drawings were made in the Louvre – where I actually was moved to tears a few times; putting this album together brings back a bit of the emotional experience.
I received a grant last year to help with my figurative anatomy studies. It was a real boost, both in morale and in the opportunity to study something awesome. I took a 3 month online intensive artistic anatomy course, I spent three weeks at the Stanford morgue studying bodies with Dan Thompson, Michael Grimaldi and the BACAA crew. I then returned home and began a series of four figure paintings that I am finally showing publicly today!
These figures are all posed in Anatomical Position, which is one of the first things we learn in a medical anatomy class. All the body’s movements are categorized based on this position. By making these paintings I was able to consciously translate my new technical, theoretical knowledge to the living, breathing, reality of the person. People are more than textbooks, more than flesh and blood, of course. Similar, but totally different. And this is what we love about life. Everything in the universe has a unifying baseline, but with wonderful, endless variety.
To create these paintings I hired models who came to stand in my studio about 10 times a piece. I had each person stand in the same place and painted them roughly in the same scale. It was a delight to spend so much time with each model, studying and getting to know them. In fact – three of the models are in the same family. Posterior Male is married to Anterior Female and Posterior Female is sister to Anterior Female.
Back to School with Kinesiology at Ashland Institute of Massage!
My ongoing obsession with knowing specifically the origin, insertion, action and shape of muscles has led me to take a rather in-depth kinesiology class. Over 100 class hours, plus out of class study time will keep me busy til April. And, of course I’m translating a lot of this stuff from massage application to artist application. I feel so fantastic when I’m in a class I love.
Last painting of 2014.
I have not shown a lot of new work on my blog this past year, I have been working super hard though, I’m 65% (give or take) of the way finished with a larger project that has taken me MONTHS and MONTHS. I have a deadline of March First Friday to more or less complete the work, so stay tuned!
I’ve also been painting a portrait of my daughter that is taking a long time as well.
A few blocks from my house, painted this summer.
I’ve painted this building and square block from almost all sides now… Endlessly interesting.
Medford Kim’s – a place glamorous and practical, exotic and so familiar, a place so many people carry special memories of, a place that has gotten more beautiful with age – is being torn down, beginning Monday, Nov 10, 2014. I’ve painted this spot twice before, and went out today to get make one last effort at documenting this place.
The demolition of this Southern Oregon landmark is a big deal here, so I even got a nice news piece – see it here.
Drawing of Shalyn. For sale here on Etsy.
For those of you who have wondered what goes on in that nifty blue building on the Phoenix, OR main drag —- > click.
I kind of like the preliminary drawing too –