Neighbor’s Tree

March 9, 2017 § Leave a comment

My Neighbor’s Tree just keep giving and giving.  It’s suuuuper convenient to paint it because I can just walk out to my front driveway and if it’s too cold, rainy or SNOWY(!?), I can paint while looking out the studio window.

Jeri Jennings and Unconditional Love

May 10, 2016 § 4 Comments

Spring has been utterly glorious here in Southern Oregon this year.  Everything is lush and green and my roses are having a banner year.  The yellow one is called Jeri Jennings and the red is Unconditional Love.  Both are Paul Barden roses, both came from Rogue Valley Roses – a place I’ve mentioned before on this blog.  Janet has collected a fantastic variety of roses that grow on their own rootstock, all meticulously categorized and documented and REALLY hard to choose which to plant, because there are so many good ones.

Jeri Jennings and Unconditional Love

In my eagerness to share this image, I’ve had to photograph it before it’s been varnished, so there are some matte and shiny places.  I’ll re document the image and replace it in a few months when it’s been properly varnished.

Still Life

March 28, 2016 § 1 Comment

Still Life with SquashStill Life with Squash, Oil on Linen, 28″ x 30″

winter geraniumWinter Geraniums, Oil on Panel, 20″ x 24″

Wedding Flowers

December 27, 2015 § 6 Comments

 

Wedding Flowers Marissa and Josue web.jpg

 

Pear Still Life

December 4, 2015 § 4 Comments

I’m moving inside, thinking about still life and figurative work now that the weather is too cold for landscape painting.

Pear Still LIfe

Pear Still Life, 9″ x 12″ oil on linen mounted on aluminum panel

 

Barrel 42, Medford, Oregon

November 28, 2015 § 10 Comments

Barrel 42 Medford, Oregon 12″ x 16″

Brian Gruber Winery

It started with this composition for a smaller panel, but decided to move to the larger panel with more background info, which gave me a chance to play with an idea I’d been kicking around for a while.  I had been looking at the “Classical” landscape painting formulas and wanted to make a painting that used these principles.

claude lorrain pastoral landscape

Classical Landscape by Claude Lorrain – there are a million billion paintings made with this formula in the 18th and even into the 19th century.  The Ecole de Beaux Arts clearly taught this was the way you had to do it.  Nobody cares now, but it’s interesting how many paintings were made this way.

Google “Classical Landscape” here

claude lorrain pastoral landscape spiral

The composition spirals to for you to enter the picture on either side, the bottom is always darker value.

claude lorrain pastoral landscape zig zag

They always zig zag with close distance object on one side, going nearly top to bottom, then swing over to the opposite side for middle distance subject and then swing back for the far away view.

 

Oil Painting by Sarah F Burns

The close middle far is obvious in my painting.  I elected not to try to make spirals with clouds etc, because after all, my work is more about stark, aging American landscapes instead of fantastical ideal pastorals.  I did look for stuff to point to the subject, which was the green building, though, as well as the secondary subject of the far power lines.  I don’t always take time to carefully compose a plein air landscape, but it’s pretty satisfying when I do.

The location for this painting has a story too.  The green building houses a business called Barrel 42.  Brian Gruber and Herb Quady make Rogue Valley wines here, including the fabulous Quady North wines.  This is of particular interest to me, a native Southern Oregonian with an agricultural family history, because wine is overturning pears as the dominant agricultural product in Southern Oregon.  The big aqua building (so many of the old pear buildings are painted aqua –???) is called SOS – Southern Oregon Storage, or something like that.  The walls are super thick and maintain cool temperatures year round, perfect for storing barrels of wine, pears etc.  Of course these interesting places are always along railroad tracks because they used to use rails to ship things.  Not much anymore, as you see the side track to get close to the building to load up the goods is overgrown with weeds.  Time marches on, and it’s nice that the railroad tracks are seldom used, because they offer a quiet place to paint, and the tracks always have nice lines to play with.

Pilot Rock

October 18, 2015 § Leave a comment

Pilot Rock

Pilot Rock – As seen from the Pacific Crest Trail near Hobart Bluff, in the Cascade-Siskiyou National Monument.

I painted this in September after the smoke cleared out of the valley.  (We had a terrible, terrible smokey summer from all the wild fires this year.  This is the only bummer about living surrounded by wilderness.  Avoid the Rogue Valley in August.)  Painting here involves a bit of a drive and a pretty short hike.  Interstate 5 is tucked in between the more distant ridges.

This painting is for sale on my Etsy shop — 50% of the purchase price will go to the Friends of the Cascade- Siskiyou National Monument.  They put on nature hikes with scientists (and artists), help maintain trails, do butterfly counts and all kinds of fun stuff.  www.cascadesiskiyou.org

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