I had an amazing time painting in Paris. Getting out and painting in this old city, known for centuries of great art, connected me to so many of my heroes and gave me a chance to meet lots of tourists and locals. I cannot wait to go back – there are paintings there I still really want to make!!
They are displayed in the order I made them.
It was rainy and a national holiday, so all the museums were closed, so I bought some hyacinths from the nearby flower market and made a still life in the little apartment I was staying in with my aunt.
I love the Louvre so much, I must go back someday and paint the iconic entrance with the pyramid. When I first arrived, I shied away from making a painting that would be so direct, but after spending two weeks in Paris, where they really embrace beauty directly, I realized it’s just as affected to avoid beauty as it is to seek it exclusively. Best bet is always just paint what moves you. Be real, even if it lands you in a cliche.
Mid Morning looking sort of toward the east.
With a view of the Musee D’Orsay in the background 9 to the left of the statue is the tip of the museum, with it’s massive clock face peeking out a tiny bit behind the trees). I finally had a day where Paris had those impressionist clouds you see in paintings.
My local friend showed me this wonderful little park. Many paintings could be made here.
Here I am, nearing the end of my trip, embracing the obvious beauty and being happy about it. Archway to a view with a grand building? The more the merrier.
My last day painting in Paris, I was under the influence of the Corots I’d seen in the Louvre. I was also recreating the point of view of some impressionist paintings I’d seen.
A few blocks from my house, painted this summer.
I’ve painted this building and square block from almost all sides now… Endlessly interesting.
Medford Kim’s – a place glamorous and practical, exotic and so familiar, a place so many people carry special memories of, a place that has gotten more beautiful with age – is being torn down, beginning Monday, Nov 10, 2014. I’ve painted this spot twice before, and went out today to get make one last effort at documenting this place.
The demolition of this Southern Oregon landmark is a big deal here, so I even got a nice news piece – see it here.
For those of you who have wondered what goes on in that nifty blue building on the Phoenix, OR main drag —- > click.
I kind of like the preliminary drawing too –
I’ve written about Rogue Valley Roses before – and I’m still such a big fan. Mrs. Janet Inada graciously hosted myself and two other artists for an afternoon of painting on her A M A Z I N G rose farm in late May of this year. She grows and sells roses on their own root stock – heirloom and new varieties, and trust me, growing these roses is addictive. I have 5 and am planning for at least 5 more. Any patch of sun in my yard gets a rose!
This is Lyda.
And this painting is in my show that opens tonight!
Come to my show opening, Friday, July 18, 5 -8 pm at the Rogue Gallery, Medford, OR!
There are 20 plein air landscape paintings created in the Rogue Valley. The pieces are arranged geographically and while some have been shown before, but many are new. If I didn’t title my pieces so literally we could have a contest to see who could guess the most locations!
Pretty much anyone from Medford knows – and loves – this place. It’s been closed for years, and I hear it’s been purchased by some big outfit and will likely be torn down soon. ALL RUMORS, of course. I don’t really know anything, except that it’s a great place to paint, although the black top gets pretty hot, even this early in the warm season. It’s funny, I listen to audio books when I paint, and often I’ll look at a painting and flash back to segments of a book. Carl Hiaasen for this one – not very deep, I’m afraid, but if he wrote stories in Southern Oregon, maybe this place would be in one.