Medford Kim’s – a place glamorous and practical, exotic and so familiar, a place so many people carry special memories of, a place that has gotten more beautiful with age – is being torn down, beginning Monday, Nov 10, 2014. I’ve painted this spot twice before, and went out today to get make one last effort at documenting this place.
The demolition of this Southern Oregon landmark is a big deal here, so I even got a nice news piece – see it here.
I’ve written about Rogue Valley Rosesbefore – and I’m still such a big fan. Mrs. Janet Inada graciously hosted myself and two other artists for an afternoon of painting on her A M A Z I N G rose farm in late May of this year. She grows and sells roses on their own root stock – heirloom and new varieties, and trust me, growing these roses is addictive. I have 5 and am planning for at least 5 more. Any patch of sun in my yard gets a rose!
Come to my show opening, Friday, July 18, 5 -8 pm at the Rogue Gallery, Medford, OR!
There are 20 plein air landscape paintings created in the Rogue Valley. The pieces are arranged geographically and while some have been shown before, but many are new. If I didn’t title my pieces so literally we could have a contest to see who could guess the most locations!
Smithfields has another painting to replace the Rabbit that found a good home. I painted this one on a high shelf while I was sitting down and it is hanging above the vegetable piece (like so) and the perspective kind of works together in the room. Not quite trompe-l’oeil but sort of tromp-l’oeil inspired.
This pear packing plant by First, Colver and C street is a great painting location. Just a few blocks from my house, I run past it several times a week and keep seeing more good vantage points to paint from. This is a warm up, I’m getting my feet wet for the outdoor painting season.
If you were to walk into the painting 50 or so feet then you would come to this point.
My favorite working method is having the model come to your studio many days in a row (nine sessions, unless I lost count) – instead of the way I used to work, which was have the model come once a week for a number of weeks. When you have the model in the room everyday, you don’t forget which pigments you were using, where things were set up and what your goals are.
New work – just varnished it today. I used Van Dyck Brown and Cremnitz white for these paintings and may I just say what a delicious combo that is (not literally – cremnitz is lead and that is poison).
Albertons floral section here we come – I’m pumping out the floral paintings for my two person show at Ashland Painters Union. I thought I was going to do a floral show last September and use natural garden and field flowers, but it’s hot house instead. I do love carnations, so I’m going to pick some more up today for the next one. Maybe it will be ALL carnations. Anyway. Here’s this one:
(Disclaimer – I took this photo before varnishing this piece, yes it is sort of blotchy in the background and table, but not this bad. I’ll reshoot after I can varnish it.)