Land That I Love: Southern Oregon en Plein Air

Come to my show opening, Friday, July 18, 5 -8 pm at the Rogue Gallery, Medford, OR!

Rogue Valley Manor from Eden Vale
Rogue Valley Manor From Edenvale Vineyard
Plum Tree at Edenvale
Plum Tree at Edenvale

There are 20 plein air landscape paintings created in the Rogue Valley.  The pieces are arranged geographically and while some have been shown before, but many are new.  If I didn’t title my pieces so literally we could have a contest to see who could guess the most locations!

Kim’s

Pretty much anyone from Medford knows – and loves – this place.  It’s been closed for years, and I hear it’s been purchased by some big outfit and will likely be torn down soon.  ALL RUMORS, of course.  I don’t really know anything, except that it’s a great place to paint, although the black top gets pretty hot, even this early in the warm season.  It’s funny, I listen to audio books when I paint, and often I’ll look at a painting and flash back to segments of a book.  Carl Hiaasen for this one – not very deep, I’m afraid, but if he wrote stories in Southern Oregon, maybe this place would be in one.

Kim's  18" x 20"  Oil on Panel
Kim’s
18″ x 20″
Oil on Panel

Pompadour Panarama

I had a great time painting in rainy weather a few weeks ago – Pompadour Bluff,  a notable rock formation just outside Ashland, OR.

Pompadour Panarama

They are separate paintings but were done in the same scale, from the same place, so they flow together.

Pompadour Bluff Rainy Landscape

 

 

More Paintings of Phoenix, Oregon

This pear packing plant by First, Colver and C street is a great painting location.  Just a few blocks from my house, I run past it several times a week and keep seeing more good vantage points to paint from.  This is a warm up, I’m getting my feet wet for the outdoor painting season.

Phoenix Railroad Tracks
Phoenix Railroad Tracks oil on panel 11″ x 14″

If you were to walk into the painting 50 or so feet then you would come to this point.

Thunder Clouds

Thunder Clouds, Oil Painting by Sarah F Burns
Thunder Clouds, Oil Painting by Sarah F Burns

We had the most beautiful thunder clouds this summer (they brought us some brutal forest fires but that’s part of the deal). Measures 16″ x 20″, oil on panel.  Of course it’s at my show at APU this month. : )

Preview Piece Two

I promised a preview of my show that opens Friday and here is part two.

Whaleshead Beach, Brookings, OR
Whaleshead Beach II

  We had some brutal smoke from wildfires this year (we get it every summer but this year was the worst since 1987 apparently) and many of us cut out and head for the coast when it gets bad. The valley I live in is surrounded by amazing wild lands, when they burn, the smoke gets trapped and we choke til the wind changes or it rains – which can take weeks.  Anyway, this lovely day at the beach was made especially blissful because it was an escape.  Sunny, breezy, warm and cool at the same time.  ahhh.  So nice.  Painted on site en plein air, the breeze blew bits of sand that are stuck in the paint.  I love this.  It could never be faked and I’d never want to take it out.  It’s an important part of the painting.  Part of the experience. This piece measures 16″ x 20″.

If It’s So Much Fun, Why Are Artists So Crazy, Depressed, Moody and Weird?

TC Auto Sales, Medford, OR Oil Painting by Sarah F Burns
TC Auto Sales, Medford, OR

I read an interesting article about discovering the current stereotype of a city by typing “why is ————- so” and letting Google’s auto complete fill in the common searches. That led me to wonder what the stereotype for artists is these days.  So I keyed “why are artists” and then “why are artists so”  and guess what — people think artists are weird, poor, liberal, sensitive, emotional, depressed, moody, messy and important.  Crazy also came into play.  (At least some people think we’re important – but they didn’t know why, because they wanted Google to tell them. )

This experiment came on the heels of a day out painting plein air in downtown Medford.  I thought I’d found a quiet street but there were lots of people who came by and if they said anything they mostly said something like, “Looks like you’re having fun!”  Fun.  Okay.  It’s kind of true, but it’s pretty revealing about what people generally think artists are doing.   Art is fun when things are going well.  When you’re in a groove, when you’re so engrossed that you don’t need to eat, won’t answer the phone etc, BUT people don’t get that if we’re supposed to be anything but Sunday painters having a nice hobby in retirement that it takes consistent, persistent WORK.  And struggle.  In the moments when the best work is created there is a zone that is awesome, but to get into the zone you have had experiences that are to the right or left of the zone, where you over correct and have some painful crashes.  For me, to achieve the work I want to create, I’ve had to study and keep at it, and even now I have goals I want to achieve that I have to study and work at a whole lot more.  Not only that, the very best artists make art every day, which I almost do, but not quite.  The fact is, I couldn’t make anything that anyone would care to see without having put in in tons of time and thought and preparation over many years.  Fun, on the other hand, is  a nice dinner with friends and family.  Fun is playing at the beach.  Fun is relaxation. Painting is sublime, but it’s work.  It’s exhilarating and heart breaking.  It’s more fun than fun and it’s not fun at all.

Being misunderstood may just be why we’re so crazy, depressed, weird and moody all the time.   😉

Fixed

A belated post with my efforts for the Fixed Show at Ashland Painters Union April 2013.

Fixed was the theme and show title, a conceptual show thought up by – suprise, suprise – a college student member. When I thought of an idea that worked with what I like to do, I got less sarcastic about it and made four paintings from the exact same location, just looking different directions.

Looking South-ish in Phoenix, OR at the RR tracks on First St.
Looking South-ish in Phoenix, OR at the RR tracks on First St.
Phoenix, Oregon, First Street Looking North-ish
Phoenix, Oregon, First Street Looking North-ish
Phoenix, Oregon, First St Railroad Tracks, Looking North North East (ish)
Phoenix, Oregon, First St Railroad Tracks, Looking North North East
Phoenix, Oregon, First Street at the Railroad Tracks, Looking East
Phoenix, Oregon, First Street at the Railroad Tracks, Looking East

The show was pretty awesome, lots of interesting work, and so the idea turned out to be a good one.  I actually have lots of ideas similar to this concept for landscape painting that for the most part I’m too lazy to do.  So Anyway.  Thanks Q.

White City, Oregon – the Most Beautiful Place on Earth

There is no shortage of great scenery to paint in White City.  I’ve painted here a number of times – and have discovered another fan  – Julian Bell. He creates drawings onsite and paints in his studio.  We’ve gone out together a few times – here is the fruit of my labor:

White City Work Yard Oil on Panel 8" x 10"
White City Work Yard Oil on Panel 8″ x 10″
Oil on Panel, 8" x 10" $160
Oil on Panel, 8″ x 10″
Oil on Panel, 5" x 14". $160
Oil on Panel, 5″ x 14″
White City Sketch Graphite on Paper 7" x 11" $60
White City Sketch Graphite on Paper 7″ x 11″

And here is one of the Julian’s White City Pieces:

Black and White City by Julian Bell
Black and White City by Julian Bell

He doesn’t have a web site, but look out for his work, it’s cool and graphic, he also shows at the Ashland Painters Union.

Plein Air Medford

Garfield and 99 Medford web
Oil on panel 12″ x 20″

Garfield and Hwy 99, near the new Rogue Federal Credit Union and the new Super Walmart. You can see the new Harry and David building to the right in green. New New NEW!