April 22, 2017 § 3 Comments
Free slide talk and hike! Learn to identify clouds and get tips on how to and practice sketching them! Clouds are fascinating and learning more about them will open up a whole new world to you.
Friday May 26, 2017, 6:00 – 7:00 pm
Guanajuato Room, Ashland Library
Hike and Sketch
Saturday May 27, 2017
Meet at Ashland Shop N Kart parking lot to carpool at 8:30 am.
We will drive up to parking area at Hobart Bluff. You’re welcome to meet there as well. The caravan should arrive around 9:00 am.
To Hobart Bluff: Take Highway 66 almost to the Greensprings Summit. Turn Right on Soda Mountain Road and follow the gravel road 5 miles to the parking lot. There is a pit toilet here and plenty of room for cars to park.
Hike is 1 – 2 miles, and we will be sketching for about two hours.
Bring Hat, Water Bottle, Snacks, Sketching Supplies.
Come and enjoy the talk, even if you are not going on the hike.
The event is free but they would like people to register. Click here for more info:
March 9, 2017 § 3 Comments
December 5, 2016 § 2 Comments
I’ve mostly moved inside the studio for the winter – here are a couple of paintings from back in the fall.
November 28, 2015 § 10 Comments
It started with this composition for a smaller panel, but decided to move to the larger panel with more background info, which gave me a chance to play with an idea I’d been kicking around for a while. I had been looking at the “Classical” landscape painting formulas and wanted to make a painting that used these principles.
Classical Landscape by Claude Lorrain – there are a million billion paintings made with this formula in the 18th and even into the 19th century. The Ecole de Beaux Arts clearly taught this was the way you had to do it. Nobody cares now, but it’s interesting how many paintings were made this way.
The composition spirals to for you to enter the picture on either side, the bottom is always darker value.
They always zig zag with close distance object on one side, going nearly top to bottom, then swing over to the opposite side for middle distance subject and then swing back for the far away view.
The close middle far is obvious in my painting. I elected not to try to make spirals with clouds etc, because after all, my work is more about stark, aging American landscapes instead of fantastical ideal pastorals. I did look for stuff to point to the subject, which was the green building, though, as well as the secondary subject of the far power lines. I don’t always take time to carefully compose a plein air landscape, but it’s pretty satisfying when I do.
The location for this painting has a story too. The green building houses a business called Barrel 42. Brian Gruber and Herb Quady make Rogue Valley wines here, including the fabulous Quady North wines. This is of particular interest to me, a native Southern Oregonian with an agricultural family history, because wine is overturning pears as the dominant agricultural product in Southern Oregon. The big aqua building (so many of the old pear buildings are painted aqua –???) is called SOS – Southern Oregon Storage, or something like that. The walls are super thick and maintain cool temperatures year round, perfect for storing barrels of wine, pears etc. Of course these interesting places are always along railroad tracks because they used to use rails to ship things. Not much anymore, as you see the side track to get close to the building to load up the goods is overgrown with weeds. Time marches on, and it’s nice that the railroad tracks are seldom used, because they offer a quiet place to paint, and the tracks always have nice lines to play with.
November 22, 2015 § Leave a comment
I usually resist paint out competition weekends, because they are never really very productive; I wind up usually making paintings in places I don’t have an affinity for and there is not enough time and there is the added pressure of knowing your work will literally be judged. Umpqua Valley Arts Association hosts a paint out in Roseburg that lasts a few days and is in a generally good time of year for weather, so I signed up. We had two full days of painting and I was able to connect with some really excellent Oregon painters. So, it was worth going to.
Two days in a row, different weather, slightly different composition.
Each measures 10″ x 16″.
12″ x 20″ Maybe I liked this one best. I don’t know.
November 16, 2015 § 1 Comment
Oil on Panel
10″ x 16″
City of Portland from the Bluff — University of Oregon campus
Recently I got to paint a spot I’ve been dying to paint for a couple of years and I got to paint out with a Portland artist I’d been dying to meet in real life — Gabriel Liston. His work is fantastic, he documents life and history and the news in a contemporary Rococo influenced style.
October 18, 2015 § Leave a comment
Pilot Rock – As seen from the Pacific Crest Trail near Hobart Bluff, in the Cascade-Siskiyou National Monument.
I painted this in September after the smoke cleared out of the valley. (We had a terrible, terrible smokey summer from all the wild fires this year. This is the only bummer about living surrounded by wilderness. Avoid the Rogue Valley in August.) Painting here involves a bit of a drive and a pretty short hike. Interstate 5 is tucked in between the more distant ridges.
This painting is for sale on my Etsy shop — 50% of the purchase price will go to the Friends of the Cascade- Siskiyou National Monument. They put on nature hikes with scientists (and artists), help maintain trails, do butterfly counts and all kinds of fun stuff. www.cascadesiskiyou.org