Plein Air Painting Video

I participated in a paint out event in Roseburg, Oregon and while there, Michael Sullivan, photojournalist at the News Review created this little video profile.

Thanks Mike and check out his work at http://www.michaelsullivanphoto.photoshelter.com

Hike and Learn

The Friends of the Cascade-Siskiyou National Monument hold a monthly event called a Hike and Learn, where the invite someone to enhance participants’ experience of the monument with their expertise. They have invited me to lead a Hike and Learn on the subject of Landscape Sketching!  The monument is pretty neat because it has some of the greatest bio-diversity in a concentrated area in the United States.  I’m a big fan of using my art as a tool for documentation, so I’m looking forward to documenting this significant location this week and weekend.

The Hike and Learn is open to all, and is free to attend.  On Friday evening I will give a slide talk that goes over the basics of sketching the landscape.  Then Saturday morning, we will all meet up and head to Hobart Bluff to hike a little and sketch out in the wild.  We’ll meet back around lunch time and share our successes and struggles.

And the local paper – Ashland Daily Tidings has done an article on the event — check it out here.

bpennell sarahfburns
Photo by Bob Pennell for the Ashland Daily Tidings  – That’s me with the crazy grin, pretending to be on my way to do some landscape painting.

Details and Further Info:

www.cascasdesiskiyou.org

Hike and Learn — FREE
Limited space, please sign up as space is limited by sending email to: event.cascadesiskiyou@gmail.com.  Email title: Hike & Learn SKETCH  Email body: Your name, email, address, phone

Friday, August 21, 6:00-7:00 pm
Slide Talk at the Ashland Public Library

Saturday, August 22
Hike – Meet at the Shop-N-Kart Ashland Parking Lot at 9:00 am to caravan up to Hobart Bluff
Hike and Sketch from 9:30 – Noon

My Trip to Paris — Part Two: The Paintings

I had an amazing time painting in Paris. Getting out and painting in this old city, known for centuries of great art, connected me to so many of my heroes and gave me a chance to meet lots of tourists and locals. I cannot wait to go back – there are paintings there I still really want to make!!

They are displayed in the order I made them.

Oil Painting
Hyacinths – on a Rainy Holiday in Paris

It was rainy and a national holiday, so all the museums were closed, so I bought some hyacinths from the nearby flower market and made a still life in the little apartment I was staying in with my aunt.

Oil Painting
The Louvre, as seen from the Tuileries

I love the Louvre so much, I must go back someday and paint the iconic entrance with the pyramid. When I first arrived, I shied away from making a painting that would be so direct, but after spending two weeks in Paris, where they really embrace beauty directly, I realized it’s just as affected to avoid beauty as it is to seek it exclusively.  Best bet is always just paint what moves you. Be real, even if it lands you in a cliche.

Oil Painting
From Pont Neuf, The Seine

Mid Morning looking sort of toward the east.

Oil Painting
Cincannatus in the Tuileries

With a view of the Musee D’Orsay in the background 9 to the left of the statue is  the tip of the museum, with it’s massive clock face peeking out a tiny bit behind the trees).  I finally had a day where Paris had those impressionist clouds you see in paintings.

Oil Painting
Sculpture in the Petit Palais Garden

My local friend showed me this wonderful little park.  Many paintings could be made here.

Oil Painting
Looking out of the Louvre Courtyard

Here I am, nearing the end of my trip, embracing the obvious beauty and being happy about it. Archway to a view with a grand building? The more the merrier.

Notre Dame, oil painting by Sarah F Burns
Notre Dame

My last day painting in Paris, I was under the influence of the Corots I’d seen in the Louvre. I was also recreating the point of view of some impressionist paintings I’d seen.

Kim’s Last Weekend

Medford Kim’s – a place glamorous and practical, exotic and so familiar, a place so many people carry special memories of, a place that has gotten more beautiful with age –  is being torn down, beginning Monday, Nov 10, 2014.  I’ve painted this spot twice before, and went out today to get make one last effort at documenting this place.

2014-11-07 14.21.36Kims Last Weekend

Kims Last Weekend

Kims Last Weekend  Kims Last Weekend

The demolition of this Southern Oregon landmark is a big deal here, so I even got a nice news piece – see it here.

Lyda Rose

I’ve written about Rogue Valley Roses before – and I’m still such a big fan.  Mrs. Janet Inada graciously hosted myself and two other artists for an afternoon of painting on her A M A Z I N G rose farm in late May of this year.  She grows and sells roses on their own root stock – heirloom and new varieties, and trust me, growing these roses is addictive.  I have 5 and am planning for at least 5 more.  Any patch of sun in my yard gets a rose!

This is Lyda.

Lyda Rose
Lyda Rose

And this painting is in my show that opens tonight!

I AM a Sensitive Artist

There is nothing as fun as making fun of artists. 🙂  But it’s like a brother – sister thing – it’s ONLY OK if you’re also an artist.  Or artsy enough to be deeply moved by art.

Gross Anatomy for Artists Workshop

The workshop I just attended was amazing – we drew a model every morning and in the afternoons we studied cadavers at Standford Medical School.  What an experience.  These photos are from the first day – you can see me in the pink sweater with the face mask – looking frightened.  First day was freaky, mostly because of the formaldehyde smell.  The next day was interesting and then each subsequent day was more and more and more interesting and I’m so glad to have had the experience.  Getting a sense of the physical nature of the  insertions, origins, actions, structure, function of the muscles was so valuable, although really just an intro, I have much to memorize to thoroughly benefit.  I’d like to go back again – hopefully this summer.

FYI – Michael Grimaldi, instructor, pointed out on the first day that these bodies were given by their former inhabitants very consciously – these aren’t coerced or unclaimed bodies or anything.  Dan pointed out that studying them really shows you how that what makes us human is the animating force, and it’s true; it was surprisingly undisturbing – I kept finding myself saying, “it’s so beautiful”.

My drawings from the workshop aren’t much to write home about, so I’ll just show the cell phone photos.  The real value was in the new understanding, the curiosity sparked, the ideas I plan to pursue.

drawings from gross anatomy workshop

Check out BACAA, Michael Grimaldi and Dan Thompson. BACAA – workshop host and location, Michael  and Dan, instructors.

Carnations and Green Acorns

Carnations and Green Acorns, oil painting by Sarah F Burns
Carnations and Green Acorns, oil painting by Sarah F Burns

This floral still life is featured in my show this month at the Ashland Painters Union.  The flowers come from Fry Family Farm – carnations and green zinnias.  The acorns and sticks from my neighborhood and you might recognize the painting in the back ground.

If It’s So Much Fun, Why Are Artists So Crazy, Depressed, Moody and Weird?

TC Auto Sales, Medford, OR Oil Painting by Sarah F Burns
TC Auto Sales, Medford, OR

I read an interesting article about discovering the current stereotype of a city by typing “why is ————- so” and letting Google’s auto complete fill in the common searches. That led me to wonder what the stereotype for artists is these days.  So I keyed “why are artists” and then “why are artists so”  and guess what — people think artists are weird, poor, liberal, sensitive, emotional, depressed, moody, messy and important.  Crazy also came into play.  (At least some people think we’re important – but they didn’t know why, because they wanted Google to tell them. )

This experiment came on the heels of a day out painting plein air in downtown Medford.  I thought I’d found a quiet street but there were lots of people who came by and if they said anything they mostly said something like, “Looks like you’re having fun!”  Fun.  Okay.  It’s kind of true, but it’s pretty revealing about what people generally think artists are doing.   Art is fun when things are going well.  When you’re in a groove, when you’re so engrossed that you don’t need to eat, won’t answer the phone etc, BUT people don’t get that if we’re supposed to be anything but Sunday painters having a nice hobby in retirement that it takes consistent, persistent WORK.  And struggle.  In the moments when the best work is created there is a zone that is awesome, but to get into the zone you have had experiences that are to the right or left of the zone, where you over correct and have some painful crashes.  For me, to achieve the work I want to create, I’ve had to study and keep at it, and even now I have goals I want to achieve that I have to study and work at a whole lot more.  Not only that, the very best artists make art every day, which I almost do, but not quite.  The fact is, I couldn’t make anything that anyone would care to see without having put in in tons of time and thought and preparation over many years.  Fun, on the other hand, is  a nice dinner with friends and family.  Fun is playing at the beach.  Fun is relaxation. Painting is sublime, but it’s work.  It’s exhilarating and heart breaking.  It’s more fun than fun and it’s not fun at all.

Being misunderstood may just be why we’re so crazy, depressed, weird and moody all the time.   😉

Fixed

A belated post with my efforts for the Fixed Show at Ashland Painters Union April 2013.

Fixed was the theme and show title, a conceptual show thought up by – suprise, suprise – a college student member. When I thought of an idea that worked with what I like to do, I got less sarcastic about it and made four paintings from the exact same location, just looking different directions.

Looking South-ish in Phoenix, OR at the RR tracks on First St.
Looking South-ish in Phoenix, OR at the RR tracks on First St.
Phoenix, Oregon, First Street Looking North-ish
Phoenix, Oregon, First Street Looking North-ish
Phoenix, Oregon, First St Railroad Tracks, Looking North North East (ish)
Phoenix, Oregon, First St Railroad Tracks, Looking North North East
Phoenix, Oregon, First Street at the Railroad Tracks, Looking East
Phoenix, Oregon, First Street at the Railroad Tracks, Looking East

The show was pretty awesome, lots of interesting work, and so the idea turned out to be a good one.  I actually have lots of ideas similar to this concept for landscape painting that for the most part I’m too lazy to do.  So Anyway.  Thanks Q.