Pompadour Panarama

I had a great time painting in rainy weather a few weeks ago – Pompadour Bluff,  a notable rock formation just outside Ashland, OR.

Pompadour Panarama

They are separate paintings but were done in the same scale, from the same place, so they flow together.

Pompadour Bluff Rainy Landscape

 

 

More Paintings of Phoenix, Oregon

This pear packing plant by First, Colver and C street is a great painting location.  Just a few blocks from my house, I run past it several times a week and keep seeing more good vantage points to paint from.  This is a warm up, I’m getting my feet wet for the outdoor painting season.

Phoenix Railroad Tracks
Phoenix Railroad Tracks oil on panel 11″ x 14″

If you were to walk into the painting 50 or so feet then you would come to this point.

Portrait of Beth

My favorite working method is having the model come to your studio many days in a row (nine sessions, unless I lost count) – instead of the way I used to work, which was have the model come once a week for a number of weeks.  When you have the model in the room everyday, you don’t forget which pigments you were using, where things were set up and what your goals are.

Portrait of Beth Oil on Panel 20" x 18"
Portrait of Beth
Oil on Panel
20″ x 18″

Finished Skull

Skull

 

Finished this piece in time for the PERISHABLE show at APU. I’m also making another project for that show, that I will take no pictures of, tell you nothing about and that is temporary so the only way to view it will be to come see it during April at APU.

Grayscale Flowers

Grayscale Leaves in Vase
Grayscale Leaves in Vase
Oil on Panel
12 x 16
Grayscale Carnations
Grayscale Carnations
Oil on Panel
12 x 12 inches

New work – just varnished it today.  I used Van Dyck Brown and Cremnitz white for these paintings and may I just say what a delicious combo that is (not literally – cremnitz is lead and that is poison).

 

Gross Anatomy for Artists Workshop

The workshop I just attended was amazing – we drew a model every morning and in the afternoons we studied cadavers at Standford Medical School.  What an experience.  These photos are from the first day – you can see me in the pink sweater with the face mask – looking frightened.  First day was freaky, mostly because of the formaldehyde smell.  The next day was interesting and then each subsequent day was more and more and more interesting and I’m so glad to have had the experience.  Getting a sense of the physical nature of the  insertions, origins, actions, structure, function of the muscles was so valuable, although really just an intro, I have much to memorize to thoroughly benefit.  I’d like to go back again – hopefully this summer.

FYI – Michael Grimaldi, instructor, pointed out on the first day that these bodies were given by their former inhabitants very consciously – these aren’t coerced or unclaimed bodies or anything.  Dan pointed out that studying them really shows you how that what makes us human is the animating force, and it’s true; it was surprisingly undisturbing – I kept finding myself saying, “it’s so beautiful”.

My drawings from the workshop aren’t much to write home about, so I’ll just show the cell phone photos.  The real value was in the new understanding, the curiosity sparked, the ideas I plan to pursue.

drawings from gross anatomy workshop

Check out BACAA, Michael Grimaldi and Dan Thompson. BACAA – workshop host and location, Michael  and Dan, instructors.

Julian Bell and Sarah F Burns at APU

Our show opens Feb 7.  I will have to miss the opening cause I’m heading to San Francisco for a anatomy workshop (involving cadavers!) at BACAA.

Flyer APU show Jan 2014 web

Water

Water by Sarah F B urnsMy latest piece for Smithfields.  My working title is Water.  Titles -eh.  They’re hard.  They either very robotic for me, or very silly and embarrassing.  I am not a writer.

I was playing with echoes in this piece – the male figure and the crab both have bent knees, orange color.  The woman has a mermaid tattoo (hard to make out), the baby and the fish have their mouths open.  The baby and the fish recently came out of the water.

New Figure Paintings

From the past six months or so.

Alexandra

Drew

rachel painting web

Seated Figure JacyA couple of these are at APU during December along with works from the rest of the Painters Union members.

Life Drawing – Long Pose at Ashland Art Center

Woman From Eugene Graphite on Paper by Sarah F Burns
Woman From Eugene
Graphite on Paper
by Sarah F Burns

I moderate a weekly uninstructed long pose life drawing session.

  • Every Wed from 6:30 – 9:30 pm
  • $10 AAC Members, $12 General, cash or check only
  • Two weeks in a row (6 hours total) of the same pose.
  • Held at Ashland Art Center, 357 E Main St. Ashland, OR 97520
  • Drop-in
  • Bring your own materials, we have easels, chairs etc.  No mineral spirits, painting okay but use distilled or rectified turps.
  • Questions?  sarahfburns   [at] gmail   dot    com
  • I am always looking for models.  No experience necessary.  Just be willing to work hard and hold PERFECTLY still for three hours at a time, with breaks.