Finished this piece in time for the PERISHABLE show at APU. I’m also making another project for that show, that I will take no pictures of, tell you nothing about and that is temporary so the only way to view it will be to come see it during April at APU.
Albertons floral section here we come – I’m pumping out the floral paintings for my two person show at Ashland Painters Union. I thought I was going to do a floral show last September and use natural garden and field flowers, but it’s hot house instead. I do love carnations, so I’m going to pick some more up today for the next one. Maybe it will be ALL carnations. Anyway. Here’s this one:
(Disclaimer – I took this photo before varnishing this piece, yes it is sort of blotchy in the background and table, but not this bad. I’ll reshoot after I can varnish it.)
We had the most beautiful thunder clouds this summer (they brought us some brutal forest fires but that’s part of the deal). Measures 16″ x 20″, oil on panel. Of course it’s at my show at APU this month. : )
This floral still life is featured in my show this month at the Ashland Painters Union. The flowers come from Fry Family Farm – carnations and green zinnias. The acorns and sticks from my neighborhood and you might recognize the painting in the back ground.
I promised a preview of my show that opens Friday and here is part two.
We had some brutal smoke from wildfires this year (we get it every summer but this year was the worst since 1987 apparently) and many of us cut out and head for the coast when it gets bad. The valley I live in is surrounded by amazing wild lands, when they burn, the smoke gets trapped and we choke til the wind changes or it rains – which can take weeks. Anyway, this lovely day at the beach was made especially blissful because it was an escape. Sunny, breezy, warm and cool at the same time. ahhh. So nice. Painted on site en plein air, the breeze blew bits of sand that are stuck in the paint. I love this. It could never be faked and I’d never want to take it out. It’s an important part of the painting. Part of the experience. This piece measures 16″ x 20″.
Come one, come all – I’m showing new work at the Ashland Painters Union (27 1/2 N. Main St, Ashland – on the Plaza – Up the stairs between Gold and Gems and Cracker Jax) during September. The show opens First Friday Sept from 5 – 8 pm (or later if the party is super fun).
These pieces are all made within the last few months with the exception of one drawing, which was made last year. It’s a survey of what I like to paint and reflects my head space in the last 9 or so months. I quit my day job and have just mellowed out, enjoyed the slow lane a little more this year and the results can actually be seen in my artwork.
I’ll post a piece or two from the show each day or so as a preview leading up to the opening.
These roses grow in my back yard. Their name is Fantin Latour and all you art nerds know Fantin Latour is the best painter of flowers ever – French 19th Century guy, friends with Manet and that crew. I drool and cry over his paintings and I think you can see a nod to him in this piece.
The actual rose bush has a bit of a good back story – it blooms ONE time a year, but those blooms are lovely and smell wonderful. Rogue Valley rose nerds will guess where this bush came from – the amazing Rogue Valley Roses has hundreds if not thousands of roses on their own root stock in fantastical varieties. This great business is the labor of love of my old English teacher, Janet Inada.
Fixed was the theme and show title, a conceptual show thought up by – suprise, suprise – a college student member. When I thought of an idea that worked with what I like to do, I got less sarcastic about it and made four paintings from the exact same location, just looking different directions.
The show was pretty awesome, lots of interesting work, and so the idea turned out to be a good one. I actually have lots of ideas similar to this concept for landscape painting that for the most part I’m too lazy to do. So Anyway. Thanks Q.