Albertons floral section here we come – I’m pumping out the floral paintings for my two person show at Ashland Painters Union. I thought I was going to do a floral show last September and use natural garden and field flowers, but it’s hot house instead. I do love carnations, so I’m going to pick some more up today for the next one. Maybe it will be ALL carnations. Anyway. Here’s this one:
I was playing with echoes in this piece – the male figure and the crab both have bent knees, orange color. The woman has a mermaid tattoo (hard to make out), the baby and the fish have their mouths open. The baby and the fish recently came out of the water.
Getting ready for my February show at the Ashland Painters Union – this piece is going to set the tone – I think. I have yet to paint the rest, but it’s winter, so I know it won’t be landscape. I’m not tough enough for plein air painting below 60 degrees. I think it might be lots of flowers which sounds fun, but we’ll see – I have a tough time committing to any particular subject when it comes to painting.
From the past six months or so.
A couple of these are at APU during December along with works from the rest of the Painters Union members.
We had the most beautiful thunder clouds this summer (they brought us some brutal forest fires but that’s part of the deal). Measures 16″ x 20″, oil on panel. Of course it’s at my show at APU this month. : )
A belated post with my efforts for the Fixed Show at Ashland Painters Union April 2013.
Fixed was the theme and show title, a conceptual show thought up by – suprise, suprise – a college student member. When I thought of an idea that worked with what I like to do, I got less sarcastic about it and made four paintings from the exact same location, just looking different directions.
The show was pretty awesome, lots of interesting work, and so the idea turned out to be a good one. I actually have lots of ideas similar to this concept for landscape painting that for the most part I’m too lazy to do. So Anyway. Thanks Q.
There is no shortage of great scenery to paint in White City. I’ve painted here a number of times – and have discovered another fan – Julian Bell. He creates drawings onsite and paints in his studio. We’ve gone out together a few times – here is the fruit of my labor:
And here is one of the Julian’s White City Pieces:
He doesn’t have a web site, but look out for his work, it’s cool and graphic, he also shows at the Ashland Painters Union.
Garfield and Hwy 99, near the new Rogue Federal Credit Union and the new Super Walmart. You can see the new Harry and David building to the right in green. New New NEW!
I just got back from a visit to San Francisco where I went to the De Young museum to see the Girl with a Pearl Earring show, along with Etching from Rembrandt and his contemporaries. I found it very inspiring, especially all the etchings, they are so intricate and invite you to spend several minutes with each piece, I was surprised to find them even more engaging than many paintings. The etching pieces varied in technical ability, some being astonishing in their technical prowess and some (the Rembrandts) were stunning in their communication of humanity and emotion. There were goofy ones, ones that glorified the state, religious scenes that were moving (Rembrandt), religious scenes that were like crazy pageants, simple home scenes, landscapes and on and on. Then came the paintings – wonderful banquet tables with meats and lemons and cloth, the flowers that I so love and the stunning Vermeer. That Vermeer is absolutely wonderful. (Side note: Like the Mona Lisa, she has no eyebrows.!? Curious.)