Neighbor’s Tree

March 9, 2017 § Leave a comment

My Neighbor’s Tree just keep giving and giving.  It’s suuuuper convenient to paint it because I can just walk out to my front driveway and if it’s too cold, rainy or SNOWY(!?), I can paint while looking out the studio window.

McVay Beach with Storm Coming

February 27, 2017 § 4 Comments

McVay Beach with Storm Coming

McVay Beach with Storm Coming, 10″ x  16″ 

Plein Air Landscape painted at the Oregon Coast last weekend.  It was lovely to be at the ocean.

Close to Home

February 6, 2017 § 4 Comments

My friend David Rosenak is a landscape painter who found himself working closer and closer and closer to home and realized he had a lifetime of paintings to make without leaving his property.  When he first revealed this to me I thought it was a little odd, but perfect for him – see more about him by clicking here. I compared my practice at the time to his and I was attracted to the convenience of it but couldn’t see how it could ever work for me. I tend to want to paint everything I see, all the time, everywhere I go. But I struggle to get things done and finish what I start so, David’s method stayed in the back of my mind.

We got a dog two years ago and started taking her on walks along this ditch trail about half a mile from my house.  It’s a wonderful walk.  You see close mountains and distant ones, close and distant trees, houses, shacks, weeds, farmland — there are just endless compositions to experiment with.  And there are never any other people down there.  So I started painting there a lot and have made five paintings I’m pleased with in the last year.

These are the latest paintings are from the ditch trail.  Painted last fall and late summer.  The evening one was painted when my mom was sick and I didn’t fully realize she was dying, but I was extremely stressed out and painting this was a good way to take my mind off of things.  The last one was painted in the month after she died. The reason I bring this up is that when I look at these paintings I travel emotionally to the joyful feeling I had while making them. Writing this post, my mental sequence was, “Wait, when did you make these? Was it before mom got sick?” And I realized it was during her illness and right after she died.  It is kind of shocking, but somehow there is life and spark in being outside and making landscape paintings, despite this generally being a terribly tough time.  However, I don’t think I would have been able to do it if I didn’t have this comfortable and easy location to go to.  Since my mom’s death, I feel like staying home (or closer to home) all the time.   I really miss her. I think as the spring comes I’ll feel a little less like a hermit.  And I don’t know if I have more paintings to make down on this ditch trail.  It’s impossible to commit to something like that.  Time will tell.  But I do like working where it’s comfortable and safe.

 

Oil Painitng of Persimmons by Sarah F Burns

Evening Looking Toward the Siskiyous

 

Oil Painting by Sarah F Burns

Cascade/Siskiyous from the Ditch Trail

Both measure 20″ x 35″.  Painted en plein air over a number of sessions.

Landscapes

December 5, 2016 § 2 Comments

I’ve mostly moved inside the studio for the winter – here are a couple of paintings from back in the fall.

Neighbor's Tree

Neighbor’s Tree

 

Tree at Scienceworks

Tree at Scienceworks

In Loving Memory

October 17, 2016 § 16 Comments

I still can’t quite believe it, but my mother, Mariah Hegarty passed away at age 61 on September 15, 2016.  She had a very aggressive cancer that overtook her very suddenly.  She was a model of how to leave the world with grace and I’m so grateful for the time we had and that she was my mom.

My mom has always been such a supporter of me in life and as an artist.  She introduced me to art and to making art when I was very young by having a great collection of beautifully illustrated children’s books and by not allowing me to have coloring books or television and providing me lots of paper and crayons to draw as much as I wanted.  Both my parents encouraged me to experience and observe nature which is a vital part of being an artist and a student. My mom also taught me, especially at the end to forgive others and yourself, which frees you up to experiment and make mistakes.  She always let me take all the art classes I could find and just allowed me to pursue what I was interested in.

She loved beauty and our home was always an amazingly beautiful place. It was never cluttered or crowded, but had old and natural things, nice light, natural fibers.  Simple, straightforward beauty. She taught me that beauty is found everywhere and this profoundly affects my choice of subjects when I paint.

mariah-pic-wake-booklet-ii

Mariah Michele Hegarty — 3/18/55 – 9/15/16

Every Place I Ever Lived

tore my heart with its beauty when I left.

My final week in Florida I steal away
to the beach morning and evening.

At dawn the long smooth waves are bolts
of pewter-colored silk shot with silver
folding and unfolding at my feet.

Dolphins pierce the liquid platinum
like dark needles. The pelicans
–those homely angels–
glide just above the wave caps,
their open-armed wings spread wide.

Splayed across the sand
treasures of the ocean’s generosity*
Each fractured shard, tumbled smooth-
edged and cloudy teaches me
there is nothing broken

that will not be transformed.

* Rumi

– Mariah Hegarty

Art Guide

August 30, 2016 § Leave a comment

Laurel at Huckleberry Design Studio created a beautiful ebook highlighting art you can buy through Etsy and she included my shop! She really is a fantastic designer and it’s very inspiring to see what she’s put together.

Etsy Art Guide

Check out the Ebook at huckleberrydesignstudio.com and use the code ARTISTGIFTCOPY to receive it free!

Landscape Painting Course

August 23, 2016 § 3 Comments

Mount Washington GroupThe heat of the summer will be coming to an end soon and we will be entering the fall landscape painting season!  I am teaching a landscape painting course at the Ashland Art Center for both experienced and beginning painters.  As usual, drawing is fine for the whole session if you prefer.  Oil paints are what I use, but if you prefer watercolor or acrylic or pastel or xyz, that is just fine; the principles remain the same, even as the material changes.
This class will be useful for both plein air and photo reference painters.  We will cover specific issues of landscape painting —  light, color, perspective, drawing, composing.
Three classroom sessions where we discuss fundamentals, see demos and slides of various artists applying the principles in their own unique way.
Two field sessions will be opportunities to see me paint and ask specific questions as well as paint alongside and get personal feedback.  The field sessions will be held in a shady place.  Feel free to bring your chairs and get comfy.
As usual, the class will be chock full of things to think about, things to challenge you and will be fun and encouraging too.  Feel free to contact me if you have any questions at sarahfburns@gmail.com.
  • Wednesdays in the Classroom at Ashland Art Center from 1:30 – 4:30, September 19, October 5 and 19
  • Fridays in the Field from 9 am, September 23 and October 7
  • $125 – materials not included, although I may  be able to loan a plein air easel for the field sessions.

To sign up, follow this link or visit Ashland Art Center. They are open Daily 10:00am  to 6:00 pm at 357 E. Main St, Ashland, OR 97520.  541-482-2772.

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